Using the red earthenware native
to Nova Scotia, Joan Bruneau creates wheel thrown
and constructed pottery decorated with slip, underglazes
and food safe glazes. Her pots combine luscious surfaces
with distinct shapes inspired by historical pottery,
botanical and architectural shapes, as well as, a
love of forming pliable clay. The robust yet elegant
forms, together with their sumptuous, sophisticated
ornamentation, are sure to enhance and inspire the
presentation of food and flowers. A feast for the
eyes and a delight to use, Joan’s
tableware is as functional as it is decorative.
Joan Bruneau’s work is widely known for its
exceptional virtuosity and innovation and is respected
as a fine example of contemporary craft. Her work appears
consistently in publications, high profile exhibitions
and is included in prestigious public and private collections.
She teaches workshops and exhibits throughout Canada,
the U.S. and abroad.
BIO & CURRENT INFORMATION:
Joan Bruneau has maintained her pottery studio and
gallery, Nova Terra Cotta, in Lunenburg, Nova Scotia
since 1995. She earned a BFA from NSCAD in 1988
and MFA from the University of Minnesota in 1993. She
is a regular part time Faculty at NSCAD University
since 1995 and was assistant professor at the Emily
Carr Institute of Art and Design from 1998 – 2002.
Joan Bruneau received the 2004 Winnifred Shantz Award
which funded her research of Etruscan and Maiolica
Pottery through a Residency at La Meridiana International
Ceramics Center, Italy in 2005. She will be teaching
at the Australia National University, Canberra in 2007.
ARTIST STATEMENT:
My intent as a studio potter is to inspire presentation
and to enrich the quality of daily experience, through
a collaborative dialogue between the user and my pots.
Moments taken out of the day to prepare and present
an inspired meal or to arrange a bouquet of flowers,
affirms our connection to identity while celebrating
the beauty in our domestic lives, in a culture otherwise
bombarded with information and big - box consumerism.
The pottery forms are influenced by a range of sources,
from Chinese and European historical pottery forms
to botanical structures and architectural ornament.
The forms are wheel-thrown and reconstructed using “Cut
and Paste” technique. Gestural throwing lines,
dynamic volumes and structural seams are marks of this
making process. The surfaces are treated with brushed
white slip, underglazes and polychrome food-safe glazes.
Pieces from 2006 are inspired by Renaissance Italian
maiolica , resulting from a 2005 residency at La Meridiana
International Ceramics Center in Tuscany.
Joan Bruneau Resume - Download [pdf]
[word]
Education
1990-1993 Master
of Fine Arts University
of Minnesota
1984-1988 Bachelor
of Fine Arts Nova
Scotia College of Art and Design
1987 Semester
Exchange Emily
Carr College of Art and Design
Professional Experience
2005 Residency La
Meridiana International Ceramics Center, Italy
2003 Invited
Resident Artist Medalta
Ceramics Int. Residency, Alta.. Ca.
1995 – present Studio Potter Nova
Terra Cotta Pottery, Lunenburg, NS. Ca.
1992 Summer
Assistantship Peter’s
Valley Craft Center, New Jersey, USA.
1989-1990 Residency Banff
Centre for the Arts Alta., Ca.
Teaching Experience
2006/07 Distance
Education Program
Red
Deer College, Alberta, Ca. and Australia National University,
Canberra, Australia
1998 - 2002 Assistant
Ceramics Professor
Emily
Carr Institute of Art and Design, Vancouver. Ca.
1995 – present Regular
Part-Time Faculty
NSCAD
University, Halifax, NS. Ca.
1994 Sabbatical
Replacement Maine
College of Art and Design, Portland, Me.USA.
1993 Sabbatical
Replacement NSCAD
University, Halifax, NS.
Workshops and Lectures
2006 Series.
Red Deer College, Alberta, Ca.
2006 Prince
George Potters Guild, B.C., Ca.
2006 Dundas
Potters Guild , Hamilton, Ont. Ca.
2005 La
Meridiana International Ceramics Center. Certaldo,
Italy
2005 The
Clay Art Center , Port Chester, NY., USA
S.U.N.Y.
New Paltz, NY. USA
2004 Langara College
, Vancouver, Ca.
2003 Greenwich
House Pottery , NY.,NY.,USA.
Gibbs
Art Museum, Charlestown, SC., USA.
2001 Ottawa
Potter’s Guild, Ottawa, Ont., Ca.
2000 Thousand
Miles Apart Conference , University of Regina, Sask.,
Ca.
Alberta
College of Art and Design, Calgary, Alta., Ca
Caribou
Potter’s Guild, Williams Lake, BC. Ca.
1998 Yixing
International Conference, Jingdezhen Ceramics Inst. China
Frazer
Valley Potter’s Guild , Abbotsford, BC., Ca.
Kingston
Potter’s Guild , Kingston, Ont., Ca.
Sheridan
College , Oakville, Ont., Ca.
Harbourfront
Craft Studio , Toronto, Ont. Ca.
1997 Emily
Carr College of Art and Design , Vancouver, BC. Ca.
1994 Thousand
Miles Apart , University of Manitoba, Winnepeg,
Ca.
Awards
2004 Winnifred
Shantz Award Canadian
Clay and Glass Gallery
1998 Travel
Grant Nova
Scotia Arts Council
1998 Travel
Grant Canada
Council for the Arts
Collections
2001 Commission
President’s
Alumni Place Setting NSCAD University. Halifax, NS.
Ca
2000 Purchase
Sykes
Gallery Millersville University Millersville,
Pa. USA.
1998 Donation
Jingdezhen
Ceramics Institute. Jingdezhen, China
1996 Purchase
Art
Gallery of Nova Scotia, Halifax, NS. Ca
Bibliography
2007 An
Exuberant Toast
Jonathon
Bancroft-Snell
2005 Studio
Ceramics in Canada
Gail
Crawford
04/2003 Ceramics Monthly “The
Legacy of Walter Ostrom”
Phylis
Clark
01/2002 Ceramics Monthly “A
Selection of Smashing Glazes”
S.
Peterson
2001 Smashing
Glazes
Susan
Peterson
The
Art of Contemporary American Pottery Kevin
Hluch
Functional
Pottery ( Revised Edition) Robin
Hopper
The
Ceramics Spectrum Robin
Hopper
1996 Soda
Glazing Ruth
Anne Tudball
Solo Exhibitions
2005 Epicurean
Garden The
Clay Art Center, Port Chester, NY. USA
2003 Recent
Work Harbinger
Gallery, Waterloo, Ont.Ca.
1993 Thesis
Exhibition Cathryn
Nash Gallery, University of Minnesota, Mn. USA.
Selected Group Exhibitions
2006 Repeats
and the Occasional Pot Jonathon
Gallery, London , Ont. Ca.
2006 Contemporary
Canadian Ceramics Esplanade
Gallery , Medicine Hat,,Alberta, Ca
2005 Visceral
Vessels South
West School of Craft, San Antonio, Texas
2005 A Natural
Touch NCECA
Baltimore, USA
2004 Crowning
Achievements Government
House, Halifax, NS. Canada
2004 Canadian
Ceramics Exhibition Red
Star Studios, Kansas City .USA
2004 Power of
Pottery Invitational Exhibition Curated by Kevin
Hluch
Dunedin
Art Center, Dunedin, Florida USA
2003 Cups: Artists
Invite Artists Pewabic
Pottery, Detroit, MI. USA
2002 For the
Table National (USA) Invitational Dinnerware Exhibition
Santa
Fe Clay, Santa Fe , NM. USA
2001 A Matter
of Clay: National Invitational Jonathan
Bancroft – Snell Gallery, London, Ont. CA
2000 Looking
Forward: Exhibition Curated by Paul Greenhalgh Ontario
Crafts Council
Focus
On Function: National ( USA) Competition
Cathryn
Nash Gallery, Minneapolis Mn. USA.
Utilitarian
Clay III Symposium: Celebrate the Object Invitational
Exhibition
Arrowmont
Center for Crafts, Tn. USA
Fruition:
Joan Bruneau, Lisa Naples and Sandy Pierentozi
Sykes
Gallery, Millersville University, Millersville, Pa.,
USA
1999 Redware:
Tradition and Beyond: Invitational The
Clay Studio, Phila. Pa. USA
Curio Curated
by Pat McCauly Harbourfront
Arts Center, Toronto, Ont..Ca.
1998 Yixing
International Conference Yixing,
Jingdezhen, Beijing, China
Put
a Lid On It Invitational Appalachian
Center For Craft, Tn. USA.
1997 Specialithe:
Teapot Invitational Galerie
McClure, Montreal, Qc. Ca.
1996 Ceramics:
A Medium Based Practice Curated by Artur Handy
Dalhousie
Art Gallery, Halifax, NS.Ca.
The
Advocacy of Pottery: Walter Ostrom Potter/Teacher
Art
Gallery of Nova Scotia, Halifax, NS. Ca.
1995 NCECA
Northern Stars: Women Potters from Minnesota and Canada Invitational
Cathryn
Murphy Gallery, St. Paul, Mn.USA.
Containment:
The Space Within Invitational
Canadian
Clay and Glass Gallery, Waterloo, Ont., Ca.
1993 Thrown
and Altered Invitational
Provenance
Gallery, Calgary, Alta.,Ca.
Outstanding
Graduates National ( USA) Competition
The
Farrel Collection, Washington, DC.USA. |